A powerful reminder that the words we sing matter. As worship leaders we can either promote justice and a multidimensional view of God or myopic materialism – or often something somewhere in between. So much of it is in the …
Core Values
Singing and Praying Justice
Filed under: Core Values, Culture, Dangerous Worship, Ethics, Formation, Leadership, Liturgy, Local Church, Missional, Music, Resources for Worship, Songwriting, Style of Worship, Uncategorized
Remembering Who Our Friends Are (Unsung Song Themes)
Filed under: Bible, Church History, Core Values, Culture, Formation, Liturgy, Local Church, Missional, Music, Songwriting, Style of Worship, Uncategorized, Writing and blogging
What are some of the important, but relatively distinctive, theological ideas that form the core of who we are as a Covenant church? And how, if at all,
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Silly Things We Sing to God in Worship Songs
Filed under: Core Values, Dangerous Worship, Songwriting, Theology, Uncategorized, Writing and blogging
Do you ever wonder if God chuckles at some of the silly things we say to him in our worship songs? From his perspective, I wonder if he thinks we say some weird stuff.
For example: Things we don’t really …
Good, Bad and Ugly Songs
John Stackhouse took Chris Tomlin to task. This week, Stackhouse posted a detailed critique of Tomlin’s Praise the Father, Praise the Son underscored by a general concern about the quality of the sounds and lyrics we foist upon people in …
9.5 Theses on Worship
No doubt, some of you have already seen this article by Gary Parrett; since it was posted at Christianity Today in 2005. I guess I’m behind in my reading. 9.5 Theses on Worship: A disputation on the role of …
Deeper? or Different
Filed under: Core Values, Liturgy, Style of Worship
Tags: contemporary, Liturgy, relevent
Sometimes people are critical of preachers, songwriters, worship leaders and certain churches for trying to be relevant and missing the deeper relevance of tested, published, traditional, enduring liturgy. You might want to read this CT article .